02/06/15.- ILUMINADA GARCIA TORRES (Elche 1949) she has made a Retrospective Exhibition with the title of Geometry, Color and Musicality, digital diagrams and painting 1991-2015, in the Municipal Exhibition Center of the city, Elche-Elx.

Julia Sáez-Angulo, vicepresident of the Madrid Association of Art Critics, AMCA, and member of the AECA / Spain International, writes in the catalog:

Geometry, Color and Musicality are three concepts of the eurythmy that emerges from the artistic work of ILUMINADA GARCIA-TORRES.

Geometry in which the rhythm of a musicality visible to the eyes is appreciated, inaudible, only in appearance.

She draws the dancing rhythm of a musicality that manifests herself in the wise administration of color on the support of paper, canvas ... geometry that dances; a musicality that is expressed in colors. Kandinsky already talked about it when he attributed musical notes to colors. Look at the sounds, hear the color.

Since the 90s she, ILUMINADA GARCIA-TORRES has a coherent research trajectory in Geometric Art, painting, sculpture and digital diagrams, from hers works of Continuous Spatial Tracing,

Combinables to El Hilo de Ariadne. Geometry, color, rhythm and musicality are present in a creative world of lines, circles, squares, pixels ... designed by her artistic mind. Without leaving the painting, she uses the new technological means, which are fundamental in the generation of her innovative geometric artworks.

Geometry, Color and Musicality, is the conceptual key that describes the digital and pictorial geometrical work of ILUMINADA GARCIA-TORRES.

The lines drawn in the space reticular square, horizons that expand in cartographies of the musicality, express in the digital geometries of ILUMINADA GARCIA-TORRES a perception of she at different countries, continents or cities: MUSICALITY-Sweden-Madrid-South America-Berlin -NewYork-MumbaiBombay-Beiying-Europe-GreeceGrecia-Tokyo-Paris-Nepal-Brooklyn-Africa-Universe.

ILUMINADA GARCIA TORRES, in 1965 she ingress and studied Professor of Drawing at the Superior Academy of Fine Arts of San Fernando, Madrid and Complutense University of Madrid. She lived in Madrid until 1997 and later in London, where she was a guest artist at Gasworks Studios of London, and since mid-1999 she resides in Alicante. In 2000 she returned to London to make an exhibition at Hortensia Gallery, Kensington and Chelsea College in London.

In 2003 ILUMINADA GARCIA-TORRES presented her geometry research, El hilo de Ariadna-Combinatoria, with the new technological media. Geometric art: one hundred works (200x100 cm.each) for the Art Collection of Hotel H. Amerigo, Alicante.

In her Continuous Spatial Drawings, she, the painter ILUMINADA GARCIA-TORRES highlights each brushstroke in an affirmation of the energy, lines in brushstrokes of unique gesture, singular each of the lines in the meditative trajectory of rhythms in color gradations in the squares of her works in Geometric Art, and in the geometry compositions of she, with the new digital media, the PIXELS constitute the structure of the lines.

Published by Julia Saez Angulo y Dolores Gallardo en L.M.A.

https://GeometryDigital/IluminadaGarciaTorres 2015

http://lamiradaactual.blogspot.com.es/2015/06/iluminada-garcia-torres-geometria-color.html

lines-among-musicality.blogspot.com-Iluminada-Garcia-Torres-1994

spatial-layout.blogspot.com/Iluminada-Garcia-Torres-LONDON-1998-2000

pixels-drawing.blogspot.com-2003

musicalidad-numerica.blogspot.com-2004

cartography-musicality.blogspot.com-NY

music-numerical.blogspot.com-Berlin

lines-numerical.blogspot.com-Sweden

musica-numerico.blogspot.com-Madrid

numerical-musicality.blogspot.com-Europa

50 YEARS OF TRAJECTORY PICTORIAL AND DIGITAL GEOMETRY

Text by Viviana Rodríguez Gimeno 2015
ILUMINADA GARCIA TORRES (1949 Elche) celebrates 50 years of hers Pictorial work and Digital Geometric Art. It is in 1986, when the appointments, she paints the marble sculpture of Ariadna in the Prado Museum and finds a new pictorial concept in her work. If the teachers of quantum physics, theory of everything, make hypotheses of the universe. The painter ILUMINADA GARCIA-TORRES discovered in the mythology of the Thread of Ariadna the point to develop in the Geometric Art and to find a full significance to her work.

The concepts that give name to the exhibition Geometry, Color and Musicality by ILUMINADA GARCIA-TORRES encompass the extensive work, the intense dedication and the innovative research and reflection of she in geometric art.

Each brushstroke of her has its mathematical reason and makes each line unique, of harmony in a lucid composition and combinatorial of color in turn incalculable, and Musicality, perhaps for the spectators of hers geometry works, is creativethat feeling of musicality. A rhythm of vitality, eurythmy of shapes and color, which makes it possible to glimpse the whole geometric universe in equilibrium created by ILUMINADA GARCIA-TORRES in hers paintings of Continuous Space Path and digital diagrams printed on canvas Ariadne's thread -Musicality in which she shows hers perception of different cities, continents, countries ... - Sweden-Beijing-Africa- Madrid-Greece-New York -Mumbai Bombay-Europe-Tokyo- Paris-Brooklyn-Nepal-Berlin-Latin America-Universe- ...GEOMETRY, COLOR and MUSICALITY is an oxymoron of renewal in Geometric Art.

Text by Viviana Rodríguez Gimeno 2015

exhibition catalog Geometría, Color y Musicalidad

of ILUMINADA GARCIA-TORRES. Municipal Exhibition Center of ELCHE 15may-06september 2015

https://lamiradaactual.blogspot.com.es/2018/03/iluminada-garcia-torres-50.html

https://GeometryDigital/IluminadaGarciaTorres2015

LA MIRADA ACTUAL enero 4, 2014

Iluminada García Torres investigates in her Digital Geometry, Mumbai Bombay. text by Julia Sáez-Angulo

ILUMINADA GARCIA TORRES (ELCHE 1949) investigates in her Digital Geometry artworks that she denominate Mumbai Bombay, in wide view and reflection on Asia.

In fact all her work in geometric abstraction begins with the proposal that she formulated in the catalog of her exhibition Combinables in 1993, where is the origin and the mathematical reason that ILUMINADA GARCIA-TORRES has developed in the geometry digital works, Tokyo, Beijing and now Mumbai Bombay, in hers Asian contemplation. She declares that after the New York digital geometries, she became interested in Asia in concepts of musicality, color and though.

text by Julia Sáez-Angulo

International Association of Art Critics, AICA

http://lamiradaactual.blogspot.com.es/2014/01/iluminada-garcia-torres-investiga-geometria-digital.html

musicality-numerical-drawings.blogspot.com

musicality-numerical.blogspot.com

thethreadofariadne-musicality.blogspot.com 2014

https://music-geometryDigital/iluminada-garcia-torres2014

https://-convocatoria-Artes-plasticas-fotografia-11-DIP-Alicante /-Trazado-Espacial-Continuo-30AL=110-11-by-Iluminada-Garcia-Torres-20 11

https://-convocatoria-Artes-plasticas-fotografia-10-DIP-Alicante/-Trazado-Espacial-Continuo-al25-by-Iluminada-Garcia-Torres-2010

ILUMINADA POR EL ARTE
texto de Joaquín Santo Matas (2009)

ILUMINADA GARCIA TORRES (ELCHE 1949), En 1967, Madrid, es alumna del profesor de Dibujo Cristóbal Toral, siendo también discípula, en dos etapas, 1965 y 1984, del pintor hiperrealista Antonio López García. Y aunque supiera asimilar la docencia de sus maestros, ha marcado un estilo perfectamente definido con unas etapas evolutivas que pudieran parecer drásticas pero están plenas de una coherencia absoluta.

Residente desde tiempo en Alicante, podemos contemplar ahora en el Castillo de Santa Bárbara, la excelente exposición retrospectiva de ILUMINADA GARCIA-TORRES, desde 1982 hasta 2009, y que permiten asimilar la madura fortaleza expresiva que emana de su obra. Los paisajes urbanos y la fruta del membrillo nos muestran sus comienzos como pintora realista, para posteriormente descubrir el año 1984, tiempo de seducción, en el Museo del Prado la escultura helenista de Ariadna dormida en Naxos que plasmará al óleo desde distintas perspectivas, y cuya armonía, según sus palabras, “ codifica un cosmos, geométrico y matemático ”.

La gran aportación innovadora de ILUMINADA GARCIA-TORRES arribará en 1991. La abstracción geométrica había tenido su maestro en Eusebio Sempere pero ella, en el terreno del arte analítico y su nexo con el gesto, enlaza la geometría y la medida con el impacto directo de la pincelada, -afirmación de la energía en cada trazo- que rompe con la línea estricta y precisa.

Y comienza a trabajar en serigrafía, poseyendo dieciocho de las suyas, realizadas en 1996, la Biblioteca Nacional. Será esta técnica, tan utilizada en el pop-art y por los cinéticos, el primer paso de su interés por el arte digital. Tiene muy claro ILUMINADA GARCIA-TORRES que la investigación de las formas geométricas y del color, con las aplicaciones informáticas, no disminuye la capacidad creadora sino que aporta nuevas posibilidades y también lo que ella denomina -la democratización del arte- el acceso de las mayorías a una obra, con la copia por el autor mediante los nuevos medios tecnológicos, sin perder un ápice de calidad ni los colores originales. Aunque este concepto pudiera llamar a la controversia, ILUMINADA GARCIA-TORRES piensa que es necesario un cambio de mentalidad, una nueva mirada al Arte Electrónico actual, pensar que los avances técnicos que permitieron reproducir una pieza musical en un disco o un texto literario en un libro, no menoscaba la calidad de los autores sino que han hecho posible, sin acudir a un concierto ni leer un manuscrito, que se conozca o adquiera.

El Hotel H. Amérigo de Alicante posee una colección cercana al centenar de obras de Arte Geométrico Digital realizadas por ILUMINADA GARCIA-TORRES, una posibilidad de contemplar sugerentes geometrías impresas en lienzo, con innovadoras combinatorias. En 2003 tuve el inmenso honor de escribir con el título Píxeles la huella del trazo en el catálogo de la exposición que sobre esta colección se hizo y ahora me ratifico en los conceptos de admiración de “aquellas impresiones visuales que nos adentrarán en un mundo de armonías fusionadas con la luz mediterránea ”.

texto de Joaquín Santo Matas

Diario La Verdad Alicante 18-10-09

ILUMINADA GARCIA TORRES Retrospectiva 1982- 2009

exposición en el Castillo de Santa Bárbara Alicante

https://Retrospectiva-de-ILUMINADA-GARCIA-TORRES/prospecto-exposicion-Castillo-Santa-Barbara-Alicante-2009

https://-Convocatoria-Artes-Plasticas-Fotografia-09-DIP-Alicante-pintura-by-Iluminada-Garcia-Torres-2009

https://Retrospectiva/by-IluminadaGarciaTorres2009

Iluminada-García-Torres, Exposición retrospectiva en el Castillo de Santa Bárbara-2009

among-lines.blogspot.com-2009

https://n17-El Salt-IAC-Juan-Gil-Albert-january 2009/iluminada -garcia-torres

https://EL-HILO-de-ARIADNA-ARMONIA-by-ILUMINADA-GARCIA-TORRES-geometriaDigital/exposicion-Alicante-2008

https://geometria-digital/2007-ArteElectronicoMostoles-Madrid/iluminada-garcia-torres

STRUCTURES OF HARMONY

text by Lino Cabezas Gelabert (2005)

ILUMINADA GARCIA-TORRES (Elche, Alicante, 1949) she in her recent work exhibit a long trajectory of Geometric Art with, The thread of Ariadna-combinatorial, where the results derived from one of the most important issues in history are reached of art: the search for a basic harmony and order that beats in human nature. Establishing order and proportion in art means giving an intellectual and conscious direction to a subconscious impulse.

Modern psychology defends the hypothesis that the search for order on which beauty is based is something inherent to our identity as rational beings, and in that situation our interpretation of nature is predominantly mathematical. In these circumstances, the new technologies are used by ILUMINADA GARCIA TORRES to make use of their lines and brushstrokes as the basic material of her artworks and as a point of reflection of it, using as a matter of creation the formal elements and conceptuals.

Einstein affirmed that there is no logical way to discover the elementary laws; according to him there is only the path of intuition. The perception of the order behind appearances, its musicality, is something that is intuited by the artist ILUMINADA GARCIA-TORRES. Consequently, her works could be conceived as structures of the harmony in mathematical lines. The paintings and digital geometry of the work of Iluminada García-Torres is founded on an irrefutable truth of numbers and proportions that seem to reveal in some way the pre-established harmony.

text by Lino Cabezas Gelabert (2005) Professor at the University of Barcelona.

La Rella Magazine Nº 18.

Anuari de l'Institut d'Estudis Comarcals del Baix Vinalopó 2005 Elx. Elche

https://UMH-IBERDROLA/-geometria-digital-Iluminada-Garcia-Torres-2006

pixel-pixels-design.blogspot.com-2003

combinables.blogspot.com-1993

https://Trazado-Espacial-ContinuoHilo-de-Ariadna-by-ILUMINADA-GARCIA-TORRES-2000

SOUNDS OF PAINTING Música y Arte II

Texts by Laura Sanz García (2004),

Pascual Patuel Chust (2004)

ILUMINADA GARCIA TORRES, (Elche, Alicante, 1949) she has made a decided commitment to Geometric Art, developing orthogonally organized shapes and colors. Following paths opened by the geometric Kandinsky of the German Bauhaus, author of POINT AND LINE ON THE PLANO, and Dutch Neoplasticism, ILUMINADA GARCIA-TORRES understands hers painting and hers sculpture as a mathematical system of proportions and geometric shapes.

ILUMINADA GARCIA TORRES achieves to formulate, in 1991, a basic reticular module of squares, where she drew the points and lines. This module will be the beginning of future experimentation in Geometric Art.

A geometric and mathematical cosmos, that ILUMINADA GARCIA-TORRES considers independent worlds, but participants in the totality. They are perfectly calculated according to systems of proportion in their measurements. These forms signify the concept of the full and empty. The relation between full spaces and empty spaces is dialectically dynamic, because it generates multiple variations, determined by the color, shape, number, and direction of the lines. We are, therefore, before an interactive space that generates an integrating harmony of all the geometric elements in the composition, with effects close to the Optical art.

The thread of Ariadne, is the generic name that has adopted to denominate to hers works, inspired in the marble sculpture of Ariadna of the Museum of the Prado, ILUMINADA GARCIA-TORRES

discovered in this marble (1987) an harmony of geometric and mathematical order that went to preside over your future work. The space research has been formally complicating his proposals with a multiplication of sequences of rhythmic sequences, parallel to the world of music, pictorial geometries that she calls Continuous Space Path. From this proposal hers work is incorporated into the new technologies applicable to the art of painting.

The recent works of ILUMINADA GARCIA-TORRES offer us geometries of infinite development thanks to the combinatorial of color and the process of the image generated by computer where the brushstroke is now structured by the pixel (picture element), dot in a rectilinear grid of points to form a geometric digital image.

With this digital process of the image, she has made the geometries of the present exhibition Música y Arte II. They constitute the beginning of a new series whose dot of expansion is musicality.

ILUMINADA GARCIA-TORRES has been able to see and work on the aesthetic aspects offered by the graphics of the musical notation. The pentagram or tetragram constitute the linear structure where the musical "signs" are deposited, she tries to evoke the true graphia, which allows it to develop formal investigations related to Optical art and suggest virtual movements.

Text by Laura Sanz García (2004) Carlos III University of Madrid

Pascual Patuel Chust University of Valencia

SONIDOS DE LA PINTURA VALENCIANA Exhibition catalog Música y Arte II.

Palau de la Música of VALENCIA 2004

http://lamiradaactual.blogspot.com.es/2016/02/Iluminada-Garcia-Torres-sonidos-digital-geometry.html

https://geometria-digital-by-ILUMINADA-GARCIA-TORRES/PALAU-MUSICA-VALENCIA-2004

musicalidad-numerica.blogspot.com-2004

PIXELS (2003)
Text by Joaquín Santo Matas

Director of Alicante Institute of Culture Juan Gil-Albert

ILUMINADA GARCIA TORRES (ELCHE 1949), she in this exhibition presents her work of Digital Geometric Art, El Hilo de Ariadna - Combinatoria, a research with new technological media. The result is innovative, rigorous and coherent that we can observe in the evolution of hers work, whose genesis is in the pictorial work of hers teacher Antonio López García and from which her assimilated the measure and direct-gesture.

In the observation of the sublime marble sculpture of Ariadna that she discovered in the Prado Museum (1984), ILUMINADA GARCIA-TORRES tries to armonize her creative Thread to get herself the labyrinth of her artistic capacity.

Geometry in the plane and in the space that in something would assimilate of the teachings that she received from the also Alicante artist, Eusebio Sempere.

The lines drawn, made in a dynamic way, of a single gesture, in relation of proportionality with space reticular, mathematics and geometry, time and light. And the origin of Trazado Espacial Continuo Continuous Spatial Drawings has been for more than a decade in the geometry of hers work Combinables.
That is why in the artworks of ILUMINADA GARCIA-TORRES we contemplate geometries that can be multiplied infinitely thanks to the combinatorial of color and digital processes, which are possible by linking their Geometry research with the new technological advances of science computer.

She draws, from the point, original singular gestural lines in the reticular space, in rhythmic sequences, that in this work of Digital Geometric Art, the pixels constituting of the new structure of the line.

This exhibition, belonging to the hundred works of geometry (digital printing on canvas 90x180cm each) which constitute the Amerigo Collection, can be seen in Alicante at the Hotel of the same name, where the geometries designed by ILUMINADA GARCIA TORRES will show us a world of harmonies fused with the Mediterranean light, where the azure and marine blue, the earth and solar ocher, and the violet tones of an alborear of the horizon prevail, which is the line from which all forms emerge.

PÍXELES, La Huella del Trazo
Text by Joaquín Santo Matas - Director of Alicante Institute of Culture Juan Gil-Albert. Catalog exhibition El Hilo de Ariadna - Combinatoria by ILUMINADA GARCIA-TORRES. Centro Municipal de las Artes. Alicante 2003

el-Hilo-de-Ariadne-combinatoria-by-Iluminada-Garcia-Torres-geometrydigital-2003

pixel-pixels-design.blogspot.com-2003

GEOMETRIC POETRY and EMOTIONAL ARITHMETICS
text by José Manuel Alvarez Enjuto (2002)

It is not easy to respond to the arithmetic and orthogonal processes, of the poetry and sensitivity in the compositional contents in the work of ILUMINADA GARCIA-TORRES (ELCHE1949). She makes in Geometric Art an expressive formulation centered almost specifically on the research of spatial ordering through the serial multiplication of the line in progression. In the relation and the consecutive evolution with the only trace of a mediatic line in the space, or what is the same, through the drawing of a line, she manages to reach the metaphysical purpose of the creative eagerness.

The arithmetic and emotional poetry in the work of ILUMINADA GARCIA-TORRES has that consubstantial truth that responds to a pristine and essential fact endowed with a metaphysical transcendence capable of altering any philosophical conjecture. Art transcending through arithmetic formulas and rhythmic spatial sequences that she describes.
Iconography where the continuous module, the coherent mathematical variation dominates the visuality, demands, at least, a reflection on the mathematical painting and the balanced spatial orders. And this inevitably leads us to the stream of Stilj, Mondrian, Rietveld authors who understood that in geometry and spatial arrangement by means of balanced flat chromatic or compositional icons, rational orders could be established in the argumentation of their proposals.

Processes in the elaboration of those gestural lines support of the works. A fact of transcendence if we understand theGeometric Art of ILUMINADA GARCIA-TORRES from her creativity, with the congregation of all these expressive singularities that she has in geometric poetry.

Certainly the iconography transcribed in the paintings of the artist ILUMINADA GARCIA-TORRES may correspond to the genuine calligraphic material of the geometric repertoire of the square reticular and the music of arithmetic in their interactions.
Composition based on the repetitive modular beauty of the line and the quadrangular geometric grid, capable of claiming expansion, limitlessness and affirmation once the gestures drawn from the mathematical variable are the agents of the resulting harmonies, We have understand a very special expressiveness in the works of ILUMINADA GARCIA-TORRES that she gives in the accuracy of the brushstroke in the discursive process of a meditative calligraphic order.

A pristine pictorial expression, based on the measure, the gesture the compositional rhythms, the formal transition, the chromatic vibration, the metaphysical transcendence. The geometry and arithmetic as a determining reason.

POESIA GEOMETRICA Y ARITMETICA EMOCIONAL

text by José Manuel Alvarez Enjuto,2002

Exhibition catalog of ILUMINADA GARCIA-TORRES.

THE THREAD OF ARIADNA 1991-2002
30/04 - 28/05, 2002, Municipal Exhibition Lonja del Pescado. Alicante

https://El-HILO-de-ARIADNA-1991-2002 by ILUMINADA-GARCIA-TORRES/exposicion-Alicante 2002

https://by-ILUMINADA-GARCIA-TORRES/-COMBINABLES-1993

The expansion of the painting in the cold auras

text by Simón Marchán Fiz

ILUMINADA GARCIA TORRES (EICHE 1949), she unravels Ariadne's Thread through an optical combinatorial impregnated by cybernetic randomness, a code expressed in lines that contrast with the unchanging presence of squares as zero grade and reference to the essentials, a great lyricism, color vibrations and harmony of balance complement each other.

text Simón Marchán Fiz(2001), Professor of Aesthetics and Theory of Art, Faculty of Philosophy UNED Madrid.

La expansión de la pintura en las auras frias text Catalog Exhibition XVII Edition Painting Prize L'OREAL. Conde Duque Cultural Center. Madrid 2001

https://ILUMINADA-GARCIA-TORRES/-Premio-Pintura-L´OREAL-CentroCultural-CONDE-DUQUE-MADRID-2001-2002

lines-among-musicality.blogspot.com-Iluminada-Garcia-Torres-1994

between 1, 2 and 3.
text catalog by Isabel Tejeda Martín 2001

... are her drawn lines in which ILUMINADA GARCIA TORRES (ELCHE 1949) meditates the rhythms that emerge in the trajectory of its layout in relation of proportionality with the space of the square modules in hers works of Geometric Art. Modules that according to her, contain laws of harmony. It could be a rational, thoughtful composition, and in fact it is in principle. But observing each line it is evident that they do not respond to a unifying system. On the contrary, they confirm: the absolute difference of each one of the lines with the rest of those that are placed in the picture. With all the lines of the paintings that make up the series. Of all the series of lines started at the beginning of the 90s. Of all the painted lines of the world.

It is evident, albeit in a subtle way, the instant of its production; a time of the painting that purport to drag with him the time of perception. The transmission of emotions.

In the lines of the modules arranged tidily in the paintings made by ILUMINADA GARCIA-TORRES, the different degrees of emotion, tension, tranquility, enthusiasm, distancing... from the moment of painting are glimpsed. Already raised it, albeit in an ironic way, Lichtenstein when he designed his large-format brushstroke with bendéi points. And it is the praise of that brushstroke, in which with hers lines insists ILUMINADA GARCIA-TORRES. Sometimes at great brushstrokes, anothers as in a mantra. In numerous and small lines. With the rhetoric of repetition. But also more surprising.

A year ago in a ceramic workshop organized by the CAPA Foundation, ILUMINADA GARCIA-TORRES, experiments in the three dimensions, she presented some first investigations of the limits, which she had already done in sculpture. What happens in the limits? From a wave to an angle, for example. Fundamental considerations in Geometric Art.Numbers are there to infinity. But, if you want to understand it, you need to analyze the infinite relation between 1, 2 and 3.

text catalog Isabel Tejeda Martín 2001

Exhibition, trazado espacial continuo-hilo de ariadna, pintura 2001

combinables-palabras geométricas, cerámica 2001 by ILUMINADA GARCIA-TORRES

12may-20june 2001, Casa de Cultura El Campello (Alicante)

https://Casa-Cultura-de-El-Campello-Alicante/Geometria-de-ILUMINADA-GARCIA-TORRES-2001

https://Trazado-Espacial-ContinuoHilo-de-Ariadna-by-ILUMINADA-GARCIA-TORRES-2000

https://Museu-Art-Contemporani-de-EIVISSA--ELX/ILUMINADA-GARCIA-TORRES-2000

GASWORKS STUDIOS, LONDON

ILUMINADA GARCIA TORRES (Spain)

1 December 1998 - 1 March 1999

This is the first time you will see the work of the visual artist ILUMINADA GARCIA-TORRES in the United Kingdom. During her residency at Gasworks, she has produced new works with the referent of the marble sculpture Ariadne at the Museo del Prado, in Madrid, I discovered that the harmony she evoked was fitted perfectly a geometric and mathematical pattern.

ILUMINADA GARCIA-TORRES seeks to achieve harmony through the expression of the moment, constituted by line-space-time within proportional relation with the square reticle structures. The singularity of each line is a step towards Light.

published by Alessio Antoniolli 1999 GASWORKS STUDIOS, LONDON

2015.Text in catalog, exhibition GEOMETRIA, COLOR y MUSICALIDAD geometría digital de ILUMINADA GARCIA-TORRES, in Centro Municipal de exposiciones de ELCHE-ELX, 15may- 6september 2015

spatial-layout.blogspot.com-Iluminada-Garcia-Torres-LONDON-1998-2000

GEOMETRIAS (1996)

Text by Segundo Garcia Manzanet (1996)

Director Museum Asegurada, MACA

ILUMINADA GARCIA TORRES (1949 Elche, Alicante), she is, painter. And of -her work and the way of undertaking this- we could say that it is a rationalization, sensitivity and expression in the Geometric Art. To realized hers work ILUMINADA GARCIA-TORRES establishes a previous Geometric order, very concrete and precise, -square matrix-, divided into other twenty-five exact and equal, as a grid, defined by lines or points; which in turn can be subdivided.

Mathematical disposition that will direct the initiation and realization of hers work. The beginning of the –pictorial action- becomes an event, an extraordinary and unique fact that modifies the established and conditions the development of the work of ILUMINADA GARCIA-TORRES. And the painting is full of infinite possibilities -lines expressed with the law of verticality and horizontality and in proportionality with the dimensions of the squares. For example, the painting can only be the structure, as a regularized surface; or be arranged in sections; or -the square matrix- contain squares of different dimensions, color, location and texture; or that on a color with different gradations juxtapose other forms of color and establish new interactions, etc.

Hers brushstrokes, of the painter ILUMINADA GARCIA-TORRES, are lines of color with dimensions in proportion to the surfaces of the squares, in a single gesture -meditated- each one of the brush strokes made, an echo of herself with its emotional poetic . And also an event, which determines the quality of the successive brushstroke.

ILUMINADA GARCIA-TORRES necessarily draws from the sensitivity, which requires a preparation, tense attitude and meditative attention in the realization of the linear brushstrokes. The picture as she is painting it changes, and she, the painter, is there to decide the next action pictorial.

ILUMINADA GARCIA-TORRES, does not consider the edges as the end of the work, allowing it to continue. Fortunately, she conceives each painting as a possible part of a more complex whole; and in consequence, the linear edge is a provisional limit. Because the basic structure is, the square, studied in the spatial modulation that is produced in its subdivision or the sum of geometric squares -as she formulates it in her theoretical reflections (1991)-, and to constitute a theoretically infinite work. That requires the systematic application of the concept so that each work of Geometric Art maintains its potential development. An undoubted risk, although full of interest, that would give the work of ILUMINADA GARCIA-TORRES an innovative dimension.

Text by Segundo Garcia Manzanet( 1996), Director Museum Asegurada, MACA.

Exhibition Catalog GEOMETRIAS/ ILUMINADA GARCIA TORRES. Institute of Culture Juan Gil-Albert, University of Alicante 1996, MUA. Exhibition Alicante, November 6-26, 1996 • Casa de Cultura de Villena, January 24-February 16, 1997.

https://GEOMETRIAS-IAC-Juan-Gil-Albert-UA/ILUMINADA-GARCIA-TORRES-1996

https://Iluminada-Garcia-Torres/-Colegio-Ingenieros-Caminos-Madrid-Concurso-Pintura-Escultura-Villa-de-Madrid-1996-1997

COMBINABLES

text by J. Antonio Lisbona (1993)
ILUMINADA GARCIA TORRES (ELCHE 1949). She remained pensive observing the power and subtlety of a sculpture that is in the Rotunda of the Hall of the Muses of the Prado Museum. It was the marble sculpture of Ariadna, the sculpture that the painter Diego Velázquez (1599-1660) brought from Rome to King Felipe IV and that Velázquez himself would paint it in Rome in the canvas of 44x38 cm, View of the garden of the Villa Medicis-Noon.

ILUMINADA GARCIA-TORRES, at the Museo del Prado interpreted this marble sculpture of Ariadna in two paintings from 1986-88, what is really important is that this marble sculpture would give reasons to ILUMINADA GARCIA-TORRES for his future work geometric.

Now he presents hers recent works of Geometric Art in the Exhibition Hall CAM of Alicante, which has taken the scoop of her proposal, with the title of COMBINABLES, Continuous Space Path, works that ILUMINADA GARCIA-TORRES, has also been grouped in three research notebooks, laborious, concrete, mathematical and geometric arrangement, the point, the lines, the square, color ... The process surprised the author and impelled her as in a story by Jorge Luis Borges, in the boundless infinity of geometry and color.

She painted labyrinths of cubic and cylindrical forms on the surface of some tables, compositions of an approach to the work of Morandi, which later she would represent with architectural influence in large-format paintings. This theme preludes the geometry that would intensively come later in the artistic creativity of ILUMINADA GARCIA-TORRES. In the sculpture COMBINABLES mixes cubes and cylinders of steel in balanced composition. Space, point, lines, numbers, structures, brushstrokes, variants, layout, trajectory, technology, painting ..., all are words and concepts that the artist ILUMINADA GARCIA-TORRES has written in the notebooks and on the canvas poetic brushstrokes. Art and theoretical formulation made at the same time.

COMBINABLES
text by J. Antonio Lisbona (1993)

Espiral de las Artes num.5-6 September / October 1993

combinables.blogspot.com-1993

FASCINATION FOR SPACE
text by Carmen Africa Vidal Claramonte (1993)

The CAM of Alicante has offered in its exhibition hall on Oscar Esplá Avenue 37, an exhibition of GEOMETRIC ART by ILUMINADA GARCIA TORRES (ELCHE 1949) which since the mid 60s has studied and lives in Madrid.

She offers us paintings from her first realistic period of metaphysical influence. And paintings and a sculpture of her new stage of geometric art that presents precisely in Alicante.

ILUMINADA GARCIA-TORRES is fascinated by space, and she hypothesizes with two basic elements in her work, the square and the circle, the cube and the cylinder. In the previous, realistic paintings, we notice, however, certain evolution towards the geometric shape and the space that makes us to reflect on solitude, on silence, on our own soul: and the wonderful painting that she made (1987) of the marble sculpture of Ariadne, looking towards the infinite.

From this sculpture ILUMINADA GARCIA-TORRES, realized her new works in geometric art, to paintings constructed with lines and dots, with rectangles that have been painted in a single stroke, and, thus, none is the same, they are all different. Identity, repetition and diversity at the same time. Continuing with the squares, the cubic and cylindrical structure, with the mathematical accuracy of the measurements, ILUMINADA GARCIA-TORRES, realizes the projects for hers sculptural works. But in addition to creating painting and sculpture, she composes with the words.

And, most importantly, the integral proposal in the Geometric Art by ILUMINADA GARCIA-TORRES for the realization of her works, emerges from the same mathematical concept that she has transcribed in the excellent catalog of the exhibition.

FASCINACION POR EL ESPACIO

text by María Carmen Africa Vidal Claramonte (1993)

Diario Información. Alicante 10-june-1993

https://by-ILUMINADA-GARCIA-TORRES/-COMBINABLES-1993

The individual Painting of Iluminada García-Torres

Text by Miguel Fernández-Cid (1990)
ILUMINADA GARCIA TORRES (Elche 1949), she makes an exhibition at the Galería Albatros in Madrid. Some of hers works have as motif the marble sculpture of Ariadne (intangible Thread). "I went to the Prado Museum thinking about an image that motivates my mind and I found this sculpture. There I painted the sculpture in a canvas facing it and then en another canvas as if the sculpture were looking at infinity... and I know I will return to interpret this Ariadne again, because I find it impossible to forget her perfection, her harmony, her mathematical control".

The paintings of the sculpture of Ariadne she made from an interpretation, with the sea and a diluted landscape. "I was born near the sea and, although at the age of sixteen, I came to Madrid to study Fine Arts, I always have his presence close by, I know it because of the need to include a horizon line, a reference to space in each painting".

The style of her painting is more evident in the works in which she, ILUMINADA GARCIA-TORRES with the idea and the minimum elements of a composition, it drifts towards architectural formulas. Morandi, the metaphysical painting of Giorgio de Chirico and quattrocentistas are not far from her painting. With a few cylindrical bars and a box on a table she paints geometries sharp, spatiality paintings. Seen from another perspective, the same elements resemble a labyrinth, with a geometrical idea that constantly evokes her painting, "an object is different according to how we see it, the proximity of another object modifies it in our perception". How not to understand that the painting of ILUMINADA GARCIA-TORRES is individual?.

Text by Miguel Fernández-Cid

Diario 16. Madrid 5- december-1990

https://ILUMINADA-GARCIA-TORRES/Premio-Pintura-LOREAL-Centro-Cultural-CONDE-DUQUE-MADRID-1994-1995

lines-among-musicality.blogspot.com-Iluminada-Garcia-Torres-1994

colorshorizon.blogspot.com

The immense risk of stetting out across the waves
Text catalog by Rosa Martínez de Lahidalga (1990)
... It is the Ariadne sculpture of the Museo del Prado, the marble sculpture that Velázquez brought from Rome and that he painted in his magnificent paintings of "Villa Médicis", the one that has inspired to ILUMINADA GARCIA TORRES(Elche1949) to draw Labyrinths in the Geometric Art.

She recovers in her paintings a metaphysics of space and form; of the transit with light and thought.

It can be done to transcend the simplest image if the brushstroke and the mind are able to raise it to the category level.

This is what happens with hers pictorial compositions of cylindrical and cubic forms of reflecting light. They silence or reveal codes.

El inmenso riesgo de partir sobre las ondas

Text catalog by Rosa Martínez de Lahidalga (1990)

Exhibition paintings by ILUMINADA GARCIA-TORRES

Galería Albatros. Madrid 1990

https://Pinturas-Geometrias-et-escultura-marmol-ARIADNE-MUSEO-del-PRADO/by-ILUMINADA-GARCIA-TORRES-exposicion-GaleriaAlbatros-Madrid 1990

gravitationalwaves-music.blogspot.com

https://-IV-certamen-UMH-IBERDROLA-2006-geometria-digital-75AE-by-Iluminada-Garcia-Torres-2006

http://spatial-drawings.blogspot.com-Blogs

https://geometriaDigital-Pintura/-IluminadaGarciaTorres2015

iluminadagarciatorres.blogspot.com

ILUMINADA GARCIA TORRES

(+34) 696302487

iluminadagarciatorres@gmail.com

http://criticosartemadrid.es/index.php/noticias/464-iluminada-garcia-torres-geometria-color-y-musicalidad-diagramas-digital-y-pintura-1991-2015

http://lamiradaactual.blogspot.com.es/2014/01/iluminada-garcia-torres-investiga-geometria-digital.html

https://Retrospectiva/by-IluminadaGarciaTorres2009

https://GeometryDigital/IluminadaGarciaTorres 2015

spatial-drawings.blogspot.com-Blogs

iluminadagarciatorres.blogspot.com

spatial-drawings.blogspot.com ExpoBLOGs

iluminadagarciatorres.blogspot.com catalogs

diagrams-color-musicality.blogspot.com catalog

space-drawings.blogspot.com catalog

combinables.blogspot.com catalog

pixel-pixels-design.blogspot.com catalog

ariadnesthread-music.blogspot.com catalog

elhilodeariadna-musicalidad.blogspot.com catalog

trazadoespacialcontinuo.blogspot.com BIOGRAFIA

1993·COMBINABLES, TRAZADO ESPACIAL CONTINUO I by ILUMINADA GARCIA-TORRES, Catálogo Exposición COMBINABLES, sala de exposiciones CAM Alicante, Avenida Oscar Esplá 37, 20 mayo-9 junio 1993

contact: iluminadagarciatorres@gmail.com

iluminadagarciatorres.blogspot.com

diagrams-color-musicality.blogspot.com

space-drawings.blogspot.com

combinables.blogspot.com
thethreadofariadne-music.blogspot.com

pixel-pixels-design.blogspot.com
elhilodeariadna-musicalidad.blogspot.com

trazadoespacialcontinuo.blogspot.com BIOGRAFIA

spatial-drawings.blogspot.com BLOG

http://lamiradaactual.blogspot.com.es/2015/06/iluminada-garcia-torres-geometria-color.html

Arte Chino, Conferencia de Julia Sáez-Angulo en la Facultad de Bellas Artes de Madrid

http://lamiradaactual.blogspot.com.es/2013/01/iluminadagarcia-torres-entre-dos-series.html
http://lamiradaactual.blogspot.com.es/2013/07/iluminada-garcia-torres-geometria.html

http://lamiradaactual.blogspot.com.es/2014/01/iluminada-garcia-torres-investiga-en-su.html

http://lamiradaactual.blogspot.mx/2015/02/iluminada-garcia-torres-geometria-color.html

http://lamiradaactual.blogspot.com.es/2016/02/iluminada-garcia-torressonidos-de-la.html

Iluminada García-Torres, Exposición retrospectiva en el Castillo de Santa Bárbara

blogspot.com.es/2013/09/mujer-actual-e-iconografia-clasica.html

http://criticosartemadrid.es/index.php/noticias/464-iluminada-garcia-torres-geometria-color-y-musicalidad-diagramas-digitales-y-pintura-1991-2015

contact: iluminadagarciatorres@gmail.com

ILUMINADA GARCIA-TORRES

Elche Elx (Alicante) 1949
1965-1970 Ingresa y Profesorado Dibujo, Escuela Superior de Bellas Artes de San Fernando, Madrid y Facultad de Bellas Artes, UNIVERSIDAD COMPLUTENSE.

En el primer curso es alumna del pintor Antonio López García y en 1969 de Eusebio Sempere, año en que concilió la enseñanza con la investigación en el Centro de Cálculo de la Universidad Complutense de Madrid.
iluminadagarciatorres.blogspot.com

EXPOSICIONES spatial-drawings.blogspot.com

1976 Sala exposiciones del Palacio Provincial Dip. Casa de la Cultura (19-25 abril/76). Badajoz.

1978 Sala exposiciones, Caja General de Ahorros y M. Piedad. de Ávila.

1979 Galería Sorolla, (5-16 octubre/79). Elche.

1984 Taller de Arte Actual del pintor Antonio López García en el Círculo de Bellas Artes de Madrid.

1985 Sala exposiciones TORREÓN DE LOZOYA Caja Ahorros M.Piedad (1-17 febrero/85) Segovia.

1986-88 Realiza, en el Museo del Prado, dos pinturas al óleo de la escultura Ariadna dormida en Naxos.

1990 Galería Albatros, Madrid. (diciembre 1990) exposición de Pintura Realista, composiciones de objetos geométricos, las pinturas que realizó de la escultura de Ariadna en el Museo del Prado y en su taller de Madrid. gravitationalwaves-music.blogspot.com

1991 Inicio de la trayectoria Geométrica en su obra como consecuencia de las pinturas que realizó de la escultura de Ariadna en el Museo del Prado, Madrid.

1993 COMBINABLES, exposición en Caja de Ahorros del Mediterráneo de Alicante, CAM. (20 mayo-9 junio, 1993). En el catálogo Combinables formula las bases matemáticas y geométricas de los diagramas, tanto en pintura, escultura e imagen digital geometría. combinables.blogspot.com

1994 Seleccionada, PREMIO de PINTURA L´ORÉAL X Edición, exposición en Centro Cultural Conde Duque, Madrid 1994. diagrams-color-musicality.blogspot.com

1994-95 Serigrafía en el Taller y Galería Brita Prinz en Madrid, donde realiza una exposición.
Exposición, 40 + ó – , Centro Cultural Conde Duque. Madrid.

1995 Seleccionada, PREMIO de PINTURA L´ORÉAL XI Edición Exposición en Centro Cultural Conde Duque, Madrid 1995.

1996 Le conceden el 2º Premio Carlos Haes de Pintura del Colegio de Ingenieros de Caminos, Canales y Puertos de Madrid. XIV Concurso de Artes Plásticas (Mayo /96)

Seleccionada, PREMIO de PINTURA L´ORÉAL XII Edición, exposición Centro Cultural Conde Duque, Madrid 1996.

Exposición GEOMETRÍAS/MarioCandela/MartínNoguerol/Iluminada García-Torres, Instituto Alicantino de Cultura Juan Gil-Albert, 1997 en Alicante y 1997 en Villena.

1997 Seleccionada, PREMIO de PINTURA L´ORÉAL XIII Edición, exposición en Centro Cultural Conde Duque de Madrid, 1997.

Seleccionada en los Concursos de Pintura y Escultura VILLA DE MADRID 97, exposición en

Centro Cultural Conde Duque de Madrid.

XV Concurso de Artes Plásticas/ Escultura, Colegio de Ingenieros de Caminos, Canales y Puertos de Madrid.(mayo/97)

1997 En el verano traslada su residencia en Madrid a London de julio 1997-mayo 1999.Desde su regreso de Londres reside en Alicante.

1998-99 Artista invitada y exposición Continual Spatial Tracing-Ariadne´s Thread, DIGITAL PRINT on paper, sculptures and paintings by Iluminada Garcia-Torres,

GASWORKS STUDIOS, LONDON.(1diciembre1998-1marzo 1999).

gravitationalwaves-sound.blogspot.com

1999 Instalación Puerta Del Espacio, I Universidad de Verano de Escultura, taller de Técnicas Mixtas. Fundación Eduardo Capa-Universidad Miguel Hernández de Elche. Castillo Santa Bárbara Alicante, (3-30 julio,1999)

2000 Exhibition CONTINUAL SPATIAL TRACING-ARIADNE´S THREAD, digital Print on paper, sculptures and paintings. Hortensia Art Gallery, Kensington and Chelsea College. 13th-26th January 2000, LONDON.

exposición TRAZADO ESPACIAL CONTINUO- HILO DE ARIADNA 1991-2000, (5-31mayo, 2000) Centro Municipal de Exposiciones de ELCHE ELX.

2001 Exposición de escultura cerámica y pintura, Casa de Cultura de El Campello. (12 mayo- 20 junio 2001).

Seleccionada, PREMIO de PINTURA L´ORÉAL XVII Edición, exposición en Centro Cultural Conde Duque, Madrid 2001.

2002 EL HILO DE ARIADNA,1991-2002 Geometrías, sala Municipal Lonja del Pescado, (30abril-28mayo,2002) Alicante. Escultura en espacio urbano, COMBINABLES 2001, en la plaza de San Juan, Elche. Exposición temporal de la escultura COMBINABLES Aa, en el Castillo de Santa Bárbara, Alicante. MUSEU D´ART CONTEMPORANI D´EIVISSA (Ibiza). Exposició DES DE L´ALTRA RIBA/participa Iluminada García-Torres EL HILO DE ARIADNA pinturas(19 julio-18 agosto, 2002). Seleccionada, PREMIO ARTE CONTEMPORÁNEO L´ORÉAL XVIII Edición, exposición en Centro Cultural Conde Duque Madrid, 2002.

2003 exposición El HILO DE ARIADNA-COMBINATORIA,(12-17 diciembre 2003) 30 obras de Arte Digital Geométrico de la Colección de Arte Contemporáneo del Hotel H. Amerigo en el Centro Municipal de las Artes de Alicante, conformada por un centenar de obras, imágenes digitales geométricas, digital print sobre lienzos de 90x180cm. pixel-pixels-design.blogspot.com

2004-05 Participa en la exposición MÚSICA y ARTE II Palau de la Música de VALENCIA. El Hilo de Ariadna-utopía: sinfonía, sonata y penta. Triptico 285x200cm Imagen digital / lienzo, 95x200 cm (each).(1diciembre, 2004-16 enero, 2005) VALENCIA.

http://lamiradaactual.blogspot.com.es/2016/02/iluminada-garcia-torressonidos-de-la.html

2006 Exposición Arte Digital·CODIGO-EL HILO DE ARIADNA-IN PROGRESS UTOPIA·Colegio Territorial de Arquitectos de Alicante, CTAA. (6 julio-7septiembre, 2006)

2007 Participa en la exposición CINCO PROPUESTAS PARA UNA DIDÁCTICA DE LA ABSTRACCIÓN en el Museo de la Universidad de Alicante MUA. (24 enero-28-febrero, 2007).

participa en la VI MUESTRA DE ARTE ELECTRÓNICO DE MÓSTOLES MAEM 07, Madrid. (29 octubre-16 noviembre, 2007).

2009 Iluminada Garcia-Torres RETROSPECTIVA 1982-2009. Pintura Realista y Abstracción geométrica, pintura, escultura y geometrías ARTE DIGITAL, sala Municipal exposiciones del Castillo de Santa Bárbara, Alicante.(6 octubre-29 noviembre 2009). space-drawings.blogspot.com

2014 ARIADNE´S THREAD-MUSIC digital music diagrams by Iluminada García-Torres. exposición de 20 diagramas, digital print on canvas. ATENEO Científico, Literario y Artístico de Alicante. (7-30 octubre, 2014)

2015 GEOMETRÍA, COLOR y MUSICALIDAD diagramas digitales y pintura 1991-2015 de Iluminada García-Torres, exposición de cien obras geometría, El HILO DE ARIADNA-MUSICALIDAD impresión digital sobre lienzo y pinturas TRAZADO ESPACIAL CONTINUO, Centro Municipal de Exposiciones de Elche (15 mayo- 6 septiembre, 2015). iluminadagarciatorres.blogspot.com

http://lamiradaactual.blogspot.com.es/2015/06/iluminada-garcia-torres-geometria-color.html

2016 spatial-drawings.blogspot.com BLOG

Concursos y Exposiciones Colectivas

Seleccionada en PREMIO de PINTURA L´ORÉAL Ediciones de 1994, 1995, 1996, 1997, 2001 y PREMIO ARTE CONTEMPORÁNEO L´ORÉAL 2002. Exposiciones en el Centro Cultural Conde Duque de Madrid. diagrams-color-musicality.blogspot.com

1969 II Bienal del Deporte en las Bellas Artes. Madrid

1983 Concurso de Pintura BLANCO Y NEGRO.

1989 1º Concurso de Pintura Santa Lucía. Madrid

1993 LA MUJER Y EL ARTE, sala de exposiciones del Jardín Botánico. Madrid

Certamen de Pintura UEX-IBERDROLA. Universidad de Extremadura, Badajoz

1994 exposición 40 + ó – , Centro Cultural Conde Duque. Madrid.

1996 Exposición GEOMETRÍAS/MarioCandela/ IluminadaGarcía-Torres /MartínNoguerol, organizada por el Instituto Alicantino de Cultura Juan Gil-Albert en Alicante y 1997 Villena.
Seleccionada en el Concurso de Pintura VILLA DE MADRID 96.

XIV Concurso de Artes Plásticas/Pintura del Colegio de Ingenieros de Caminos, Canales y Puertos,Madrid, le conceden el 2º Premio Carlos Haes de pintura (mayo /96) Madrid.

1997 Seleccionada en los Concursos de Pintura y Escultura VILLA DE MADRID 97.
XV Concurso de Artes Plásticas/ Escultura, Colegio de Ingenieros de Caminos, Canales y Puertos de Madrid.(mayo/97)

1999 Instalación Puerta Del Espacio, I Universidad de Verano de Escultura, taller de Técnicas Mixtas. Fundación Eduardo Capa-Universidad Miguel Hernández de Elche. Castillo Santa Bárbara Alicante, 5-30 julio 1999

2000 II Universidad de Verano de Escultura, taller de Cerámica. Fundación Eduardo Capa-Universidad Miguel Hernández de Elche. Castillo Santa Bárbara Alicante, 3-30 julio 2000.

2001 Exposición I premio Internacional de Escultura Eduardo Capa, Alicante.

2002 MUSEU D´ART CONTEMPORANI D´EIVISSA (Ibiza). Exposició DES DE L´ALTRA RIBA /Iluminada García-Torres EL HILO DE ARIADNA pinturas (19 julio -18 agosto, 2002).

2004 MÚSICA y ARTE II, tríptico de Geometría Digital Print El HILO DE ARIADNA-SINFONIA en el Palau de la Música de Valencia.

2005 100 Artistas Solidarios, exposición en el Colegio Territorial de Arquitectos de Alicante, CTAA.

2006 MUJER Y DERECHOS HUMANOS, Centro de Congresos de Elche.

Curso taller ESCULTURA con los maestros Lingaraj Maharana y Shrikant Deodhar en el Castillo de Santa Bárbara, Diputación Provincial de Alicante.

Portada nº8 Homenaje a Gabriel Miró Auca literaria Alicante y

nº18 Portada y geometrías digital en la revista de La Rella, Elx Elche

Concurso de Artes Plásticas, UMH-IBERDROLA, Elche

2010 Homenaje al Poeta Miguel Hernández, Centenario 2010, Ayuntament d´ Elx. Exposición de Pintura en el Centro de Congresos de Elche y Museo de Bellas Artes Gravina MUBAG, Alicante.

Participa en la exposición Obra Gráfica del Instituto Alicantino de Cultura Juan Gil-Albert, Alicante

GABINET DE PAPERS con una imagen digital print geométrica en el Centre Municipal de Exposicions d´Elx.

2011 Exposición, 1910-2010 Miguel Hernández, Fundación Cultural Miguel Hernández en salas de la CAM, Orihuela.

2014 Colección del Ateneo Científico, Literario y Artístico de Alicante en la sala Municipal de exposiciones Lonja del Pescado, Alicante.

Seleccionada, Convocatoria Artes Plásticas y Fotografía, en 2001, 2002, 2008, 2009, 2010 y 2011 Diputación Provincial Alicante. Adquisición obras en 2001, 2008, 2010

Museos y Colecciones

1976 Museo Provincial de Bellas Artes, Badajoz.

1985 Torreón de Lozoya, Caja de Ahorros y M. P. Segovia.

1994-2016 BIBLIOTECA NACIONAL de ESPAÑA, catálogo, autor-a Iluminada García Torres. Donación de 36 obras en Gráfica contemporánea, serigrafías e impresiones digitales de Geometría sobre papel y lienzo (canvas), BNE, MADRID.

1996 Colegio de Ingenieros de Caminos, Canales y Puertos. Madrid.

2000 Kensington and Chelsea College. London.

2000 Museo de Arte Contemporáneo. Elche.

2001 Colección de F. Artísticos Municipales de El Campello

Obra gráfica, Centro Eusebio Sempere. Instituto Alicantino de Cultura Juan Gil-Albert.

Escultura en espacio urbano, Plaza de San Juan. Elche.

2003-2004 Colección del Hotel Hospes Amerigo, Alicante. Conformada por un centenar de geometrías de arte digital impresas sobre lienzo de 90x180cm de El Hilo de Ariadna-Combinatoria.

2006 Colegio Territorial de Arquitectos de Alicante, CTAA.

2007 EL HILO DE ARIADNA-MÚSICA y EHDA-MÚSICA geometrías -Digital Print sobre papel en 4 series, para SUMA, Diputación Provincial de Alicante.

Adquisición en las Convocatoria de Artes Plásticas y Fotografía de la Diputación Provincial de Alicante, de tres obras en 2001, 2010 geometrías pintura y en 2008 de geometría Imagen Digital Print /lienzo.

iluminada-garcia-torres-expone-su.html

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Mª Iluminada García-Torres
Paseo de Goya 21, esc D, bajo B
28932 Móstoles, Madrid
Iluminada García-Torres
estudio
Avd. Alcalde de Móstoles 14, 6ºC
28933 Móstoles, Madrid
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palabras-geometricas.blogspot.com
geometrical-words.blogspot.com

1993 PALABRAS GEOMÉTRICAS by ILUMINADA GARCIA-TORRES (1949Elche Alicante Spain)

jueves, 24 de abril de 2025

geometry-color-musicality.blogspot.com

numerical-design.blogspot.com 2002

spatial-drawings.blogspot.com bi o

http://lamiradaactual.blogspot.com.es/2015/06/iluminada-garcia-torres-geometria-color.html

https://Pinturas-Geometrias-et-escultura -marmol-ARIADNE-MUSEO-del-PRADO /by-ILUMINADA-GARCIA-TORRES-exposicion-GaleriaAlbatros-Madrid-1990

https://2015-exposicion-Geometria-color-Musicalidad/by-ILUMINADA-Garcia-Torres(1949Elche)-CentroMunicipal-Expo-Elche-15mayo-6sept-2015

http://lamiradaactual.blogspot.com.es/2015/06/iluminada-garcia-torres-geometria-color.html

https://2015-exposicion-Geometria-color-Musicalidad/by-ILUMINADA-Garcia-Torres(1949Elche)-CentroMunicipal-Expo-Elche-15mayo-6sept-2015

https://ariadne-thread-music-by-ILUMINADA-GARCIA-TORRES-geometry-digital/Ateneo-Alicante-2014

(+34) 696302487 studio arte geométrico/digital

iluminadagarciatorres@gmail.com

360artestudio@gmail.com

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http://criticosartemadrid.es/index.php/noticias/464-iluminada-garcia-torres-geometria-color-y-musicalidad-diagramas-digitales-y-pintura-1991-2015
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